Archive for April 2010

CATEGORY: ArchDaily Denmark Pavilion, Shanghai Expo 2010 / BIG

© Iwan Baan

The Shanghai Expo 2010 has opened its doors, and we start to see how the pavilions evolved from the previews we saw during design/construction phases at ArchDaily, to become a showcase of the current status of architecture from around the world.

The Denmark Pavilion was one of the first ones we presented you, almost a year ago. The project, designed by BIG with ARUP and 2+1, was interesting not only from an architectural and structural point of view, but also for the danish spirit it represents.

Basically, the pavilion is a big loop on which visitors ride around on one of the 1,500 bikes available at the entrance, a chance to experience the Danish urban way. At the center of the pavilion there’s a big pool with fresh water from Copenhagen’s harbor (one of the most clean in the world), on which visitors can even swim.

At the center of the pool you will find The Little Mermaid, a statue that has become a symbol for Denmark. And this time, it will be moved temporarily to China. In Bjarke Ingels words “it is considerably more resource efficient moving The Little Mermaid to China, than moving 1.3 billion Chinese to Copenhagen”.

After the break, more images of the completed pavilion by arch photographer Iwan Baan, including Bjarke Ingels himself riding a bike on the circular loop:

The pavilion is a monolithic structure in white painted steel which keeps it cool during the Shanghai summer sun due to its heat-reflecting characteristics. The roof is covered with a light blue surfacing texture, known from Danish cycle paths. Inside, the floor is covered with light epoxy and also features the blue cycle path where the bikes pass through the building. The steel of the facade is perforated in a pattern that reflects the actual structural stresses that the pavilion is experiencing making it a 1:1 stress test.

“Sustainability is often misunderstood as the neo-protestant notion “that it has to hurt in order to do good”. “You’re not supposed to take long warm showers – because wasting all that water is not good for the environment” or “you’re not supposed to fly on holidays – because airtraffic is bad for the environment”. Gradually we all get the feeling that sustainable life simply is less fun than normal life. If sustainable designs are to become competitive it can not be for purely moral or political reasons – they have to be more attractive and desirable than the non-sustainable alternative. With the Danish Pavilion we have attempted to consolidate a handful of real experiences of how a sustainable city – such as Copenhagen – can in fact increase the quality of life”,

- Bjarke Ingels

© Iwan Baan

© Iwan Baan

© Iwan Baan

PROJECT: Danish Pavilion at the EXPO 2010
SIZE: 3.000m2
CLIENT: EBST
COLLABORATORS: 2+1, Arup AGU, Arup Shanghai, Tongji Design Institute, Ai Wei Wei, Jeppe Hein, Martin De Thurah, Peter Funch
LOCATION : Shanghai, China

Architect: BIG
Creative Director: Bjarke Ingels
Partner-in-Charge: Finn Norkjaer
Team: Tobias Hjortdahl, Jan Magasanik, Claus Tversted, Henrick Poulsen, Niels Lund Petersen, Kamil Szoltysek, Sonja Reisinger, Anders Ulsted, Jan Borgstrom, Pauline Lavie, Teis Draiby, Daniel Sundlin, Line Gericke, Armen Menendian, Karsten Hammer Hansen, Martin W. Mortensen, Kenneth Sorensen, Jesper Larsen, Anders Tversted

© Iwan Baan
© Iwan Baan
© Iwan Baan
© Iwan Baan
© Iwan Baan
© Iwan Baan
© Iwan Baan
© Iwan Baan
© Iwan Baan
© Iwan Baan
© Iwan Baan
© Iwan Baan
© Iwan Baan
© Iwan Baan
© Iwan Baan
© Iwan Baan
© Iwan Baan

CATEGORY: ArchDaily AD Round Up: Projects photographed by Iwan Baan

© Iwan Baan

Iwan Baan is a dutch photographer that has been documenting works from the best contemporary architects, such as OMA, SANAA, Steven Holl, Sou Fujimoto, Toyo Ito, Zaha Hadid, Michael Maltzan and Diller Scofidio + Renfro, moving away from the traditional static architecture photography. As you may have noticed, we’ve been featuring many projects photographed by Iwan Baan, so here’s a little selection for you to see his works. Check them all after the break.

Selgas Cano Architecture Office by Iwan Baan
Once again, Iwan Baan amaze us with this great project between the woods by Spanish practice Selgas Cano: Their own architecture office. You can see the complete photoset after the break (photos here)

© Iwan Baan

Tama Art University Library / Toyo Ito by Iwan Baan
Once again, Iwan Baan shared with us another impresive photoset. This time, we are presenting the Tama Art University Library in Tokyo, Japan, by Toyo Ito (photos here)

© Iwan Baan

Tenerife Espacio de las Artes, Herzog & de Meuron by Iwan Baan
Architecture photographer Iwan Baan just shared with us a photo set of the latest Herzog & de Meuron building in Spain, the Espacio de las Artes at Santa Cruz, Tenerife. Another H&dM building for Spain, after the Caixa Forum (Madrid) and the Forum building (Barcelona) (photos here)

© Iwan Baan

Ningbo Historic Museum / Wang Shu, Amateur Architecture Studio
Iwan Baan shared with us one of the latest works he photographed, the Ningbo Historic Museum designed by Wang Shu, Amateur Architecture Studio. An amazing stone work (photos here)

© Iwan Baan

Esplanada Studio / Tatiana Bilbao & at103
This artist’s studio is located in a residential area in the west corner of Mexico City, over a 20m x 40m site. The project has an underground parking space and its formed by a building with 3 levels (a triple-height space, offices on the third level and a service area on the roof), with a very specific architectural program (photos here)

CATEGORY: Re: Contemplating the Void Pool GuggTornado

vasbro has added a photo to the pool:

GuggTornado

CATEGORY: Re: Contemplating the Void Pool bombrevised

vasbro has added a photo to the pool:

bombrevised

WW2 Bomb suspended from skylight with a target painted on the rotunda floor.

CATEGORY: KN | Kitsune Noir U.S. Currency Redesign by Michael Tyznik

Last Thursday I posted this video showing the redesign if the $100 bill here in the U.S. and the proceeded to talk about how horrible it was. To my surprise there were a lot of commenters who seemed to think that the idea of security and beauty were two concepts that couldn’t live together, which kind of baffled me.

In response I’m posting these currency redesigns by Michael Tyznik, who I think did an amazing job of bridging the gap between design and potential security. His design includes ideas like a holographic strip, which not only makes it easier to tell the bills apart easier but could also be filled with a bevy of security features, I would assume. Inside the strip there are also embossed dots for the sight-impaired, something that current currency definitely doesn’t take into consideration.

This in my mind couldn’t be any better looking. It’s simple and bold while still giving a nod to the history of money in America. If you’ve happened to notice that there’s a lack of $1 you’re right, Michael suggests doing away with the $1 all together and replacing them with coins instead as it only has an average lifespan of 21 months. Kinda interesting, huh?

Bobby

CATEGORY: KN | Kitsune Noir U.S. Currency Redesign by Michael Tyznik

Last Thursday I posted this video showing the redesign if the $100 bill here in the U.S. and the proceeded to talk about how horrible it was. To my surprise there were a lot of commenters who seemed to think that the idea of security and beauty were two concepts that couldn’t live together, which kind of baffled me.

In response I’m posting these currency redesigns by Michael Tyznik, who I think did an amazing job of bridging the gap between design and potential security. His design includes ideas like a holographic strip, which not only makes it easier to tell the bills apart easier but could also be filled with a bevy of security features, I would assume. Inside the strip there are also embossed dots for the sight-impaired, something that current currency definitely doesn’t take into consideration.

This in my mind couldn’t be any better looking. It’s simple and bold while still giving a nod to the history of money in America. If you’ve happened to notice that there’s a lack of $1 you’re right, Michael suggests doing away with the $1 all together and replacing them with coins instead as it only has an average lifespan of 21 months. Kinda interesting, huh?

Bobby

CATEGORY: ArchDaily Allandale House / William O’Brien Jr

© William O'Brien Jr rendering by Peter Guthrie

Young architect William O’Brien Jr was one of the practices invited to this years P.S.1 competition (awarded to SO-IL). He shared with us this cabin project based on an extruded A-frame. Interesting wall configuration, take a look at the section.

Check all the images, some drawings and description after the break.

© William O'Brien Jr – site plan

© William O'Brien Jr – sections 02

Allandale House is an A-frame(s) house for an idiosyncratic connoisseur and her family. Along with its occupants, the Allandale House also provides space for an eccentric collection of artifacts that resist straightforward classification. Wines, rare books, stuffed birds and an elk mount are among the relics on display in this small vacation house.

© William O'Brien Jr rendering by Peter Guthrie

The house links three horizontal extrusions of “leaning,” or asymmetrical A-frames. The skinny A-frame on the western side contains the library, wine cellar and garage. The wide A-frame in the center of the house is dedicated to two floors of bedrooms and bathrooms. The medium A-frame on the eastern side consists of living, kitchen and dining areas. The house aims to undermine the seeming limitations of a triangular section by augmenting and revealing the extreme proportion in the vertical direction, and utilizing the acutely angled corners meeting the floor as moments for thickened walls, telescopic apertures and built-in storage.

© William O'Brien Jr rendering by Peter Guthrie

The relationship between the need for exposed storage and the interior liner of the house is a reciprocal one. Ostensibly problematic head-height limitations posed by the angled ceiling/wall planes are resolved by allowing the interior surface of the ceiling/wall to deviate from the roof surface as it nears the floor plane to become plumb. The thickness created between the outer roof surface and the inner wall surface is then reclaimed as poche from which to carve, creating bookshelves and showcases. Perceptually, the ambition is to tuck the pieces on display within the implied surface of the interior liner, enabling the items to be seen, while providing the possible conception of the space as a simple volume.

© William O'Brien Jr – model study

© William O'Brien Jr rendering by Peter Guthrie

A range of possible configurations were tested. Variables included: (1) the relative orientation of adjacent tube segments, (2) the severity of rotation between segments, (3) the sequence of the three different bay-widths, and (4) the location of the apex of the triangle relative to its base. Given the site features—steeply sloped with a clearing in the north easterly direction—the tube establishes a parallel relationship to the contours of the site and orients the living area toward the clearing. The inclusion of a second floor is only possible in the widest A-frame extrusion. Therefore, the desire to centralize the location of the bedrooms positions the wide A-frame extrusion second in the sequence. Lastly, in tandem with the geometric principles associated with the severity of rotation, the variable location of the apex acts as the formal smoothing agent between tube segments allowing the roof planes to fold along single seams.

© William O'Brien Jr rendering by Peter Guthrie

Design Principal: William O’Brien Jr.
Location: Mountain West, USA
Project Team: Bhujon Kang
Project Year: 2009-2010
Visualization: Peter Guthrie

© William O'Brien Jr rendering by Peter Guthrie
© William O'Brien Jr rendering by Peter Guthrie
© William O'Brien Jr rendering by Peter Guthrie
© William O'Brien Jr rendering by Peter Guthrie
© William O'Brien Jr rendering by Peter Guthrie
© William O'Brien Jr rendering by Peter Guthrie
© William O'Brien Jr rendering by Peter Guthrie
© William O'Brien Jr rendering by Peter Guthrie
© William O'Brien Jr rendering by Peter Guthrie
© William O'Brien Jr rendering by Peter Guthrie
© William O'Brien Jr rendering by Peter Guthrie
© William O'Brien Jr - site plan
© William O'Brien Jr - floor plan
© William O'Brien Jr - section 01
© William O'Brien Jr - sections 02
© William O'Brien Jr - model study
© William O'Brien Jr - detail

CATEGORY: Dezeen French Pavilion at Shanghai Expo 2010 by Jacques Ferrier Architectures

Shanghai Expo 2010: photographer Montse Zamorano has sent us some photographs of the completed French Pavilion at the Shanghai Expo 2010, designed by Jacques Ferrier Architectures. (more…)

CATEGORY: JOKKE-SVIN.DK - Joaquim Marquès Nielsen I love absurdity

Click here to view the embedded video.

Click here to view the embedded video.

We need more absurd commercials á la the ones Skittles have been making! The first one sort of reminds me a little of Tim & Eric, the way the guys hand just pops off like that. It’s commercials like these you want to share with people.

CATEGORY: JOKKE-SVIN.DK - Joaquim Marquès Nielsen Great example of tilt-shift

The Sandpit from Sam O’Hare on Vimeo. Remember to full screen the video to get the best viewing experience!

I just love this! It’s one of the best examples of tilt-shift photography I’ve seen so far. I think it’s amazing that one can create the illusion of something being miniature, simply by tilting the lens and speeding up the footage. New York suddenly fits right into your pocket. Pure genius! Sam O’Hare gets a bunch of street cred from me for creating this beautiful video.